983 Royalty-Free Audio Tracks for "Sus Chords"

Cesar Franck Violin Sonata in A major, opeing bars

Major triad on F in first inversion

12-1 (chromatic) dodecachord on C

Harmonized C major scale.

Dominant and dominant parallel in C minor: Gm and BM chords.

Major triad on C in second inversion.

DSp in C major.

Iidim6 chord in C.

Dominant and dominant parallel in C major: GM and Em chords.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Mystic chord Acorde místico

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Dominant seventh in Beethoven's Piano Sonata in B-flat major, Op. 22.

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

45:54:64 = F#+, A+, C = C, Eb, Gb-

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

5:6:7 = E, G, B7b = C, Eb, G7b.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.